Your red candidate
Red outline on the first side.
Gridded stripbox · 130° from the camera direction · 1.3 m from its target · height 2 m.
Illustrative starting placement; adjust to the subject, beam and space.
Red / blue edges
Two edges, one deliberate silhouette.
The lighting plan
Your blue candidate
Blue outline on the opposite side; preserve a dark center.
Gridded stripbox · -130° from the camera direction · 1.3 m from its target · height 2 m.
Illustrative starting placement; adjust to the subject, beam and space.
Make the test frames
- Test each edge alone with the face turned to its final pose.
- Control overlap with position and flags. More overlap is not automatically an error.
- Combine and watch for an ear or shiny fabric channel clipping before the whole image looks bright.
Keep camera WB fixed for comparisons. Begin with your neutral key reference, then adjust deliberately.
Meter with the actual gel fitted. Keep filtration loss separate from your chosen creative level. Unknown source output and camera settings remain unknown; no universal flash fraction is implied.
When the first frame differs
- A dark central face is expected with two rear rims and no key.
- A bright central overlap changes the design. Narrow the beams or turn the subject before judging color purity.
Adapt the kit
- One light: retain a single colored edge and let the opposite side fall dark.
- Three lights: add a neutral key for readable skin and test whether it dilutes the edges.
Evidence & publication record
Editorial status: published. Evidence status: illustrative.
Prepared by Learn Studio Lighting editorial · Published 2026-10-22 · Updated 2026-10-22.
No photographer is claimed to have tested this setup. No finished photograph, actual meter readings or original flash settings have been supplied. Replacing a diagram with an illustration does not establish testing evidence.
Sources, evidence & screen previews
These tools propose experiments. Screen colors are appearance targets, not recovered spectra, gel identities or guaranteed camera results. Numeric measurement inputs are supplied by you; publication and studio testing are separate checks.
- Rosco · Guide to Colour Filters ↗
Selective transmission, source spectra and materials. This is technical background, not proof that our starting setups were photographed.
- Rosco · Choreograph Your White Balance ↗
A photographer’s documented example of camera white balance interacting with filtered light; not a universal Kelvin prescription.
- Rosco · White Walls Don’t Have to Be White ↗
Examples of isolating colored contributions and testing the combined result.
- Learn Studio Lighting · Rim light placement, power & gels ↗
Placement, lens flags, metering methods and a downloadable f/8 reference card.
Keep the plan moving.
Light & Tone Mapper ↗Compare rendered appearance targets, not recovered meter readings.Reference Photo Planner ↗Study visible light, color and retouch clues in your reference.Portrait Recipe Builder ↗Choose the shadow pattern independently of your color placement.Lighting Variations Planner ↗Build a sequence of looks around the lights you have.Flash Power Calculator ↗Use a measured reference from your exact gel and modifier.Modifier Calibration ↗Measure filtration loss separately from creative brightness.Light Spill Mapper ↗Measure contributions at the face, body and background.My Gear & Shoot ↗Review your saved kit and camera targets.Saved Setups ↗Keep, print and back up your local lighting plans.On-set Field Card ↗Carry the plan and record the real test frames.
Make color a deliberate choice.
Learn gel types, white balance, natural skin, spill control and repeatable exposure checks.
Read the flash gels & color guide →